Mara, a chronic insomniac, can only sleep on the Tuesday Caledonian Sleeper from London Euston to Fort William, so she pays for it every week and calls it 'work travel.' The man in the lower berth of compartment 7 talks in his sleep, and every Tuesday he picks up the same story where he left off: a lighthouse keeper who has lost the one key that turns the lamp on. Mara starts booking compartment 7 on purpose.
There are two voices on the recordings. All along she has been answering him in her sleep, line for line. The 'story' was never a monologue. It was a conversation, and in its last chapter the lighthouse keeper and the woman holding his key agreed to meet on the platform at Fort William on the final morning. Neither of their waking selves agreed to anything. At 9:57 Mara steps onto the platform. A stranger with hospital-pale hands steps off the next carriage looking just as scared, and neither of them knows whose turn it is to speak.
💡 A sleeper train is the only place strangers sleep side by side, defenceless, and this story takes that literally: two people who know each other deeply, but only in the one state where neither can lie.